‘Up on the Roof’ is a short film, directed by Nour Wazzi,
and written by Anthony Attah, following the story of a troubled boy as tries to
escape from some unpleasant characters which is complicated by the girl he is
pining for. The film brings about themes
of social realism, love, and the loss of innocence – I am particularly
interested in how Wazzi depicts the social realism aspects in the film, as this
is something I would like to transfer to my own film.
The opening dialogue between the protagonist, Marcus, and
his love interest, Trish, gives the impression that they act older than they
both are, almost like an old married couple, with Trish asking Marcus for
money, as couples on a shared income are more likely to do. It is clear that Trish is a few years older
than Marcus, but they both still seem as if they are older than they physically
are. We are reminded of Marcus’
innocence when Trish asks him whether he has had a girlfriend, and he replies
in an arrogant and typically childish, but also comical manner, acting as if he
is older than he is, and we see this again when he claims he will not let
Darren “beat [him] to the ground”, when Darren is older and larger.
Wazzi switches between mid/close-up shots and wider shots
fairly frequently, and also plays around with using the lens to focus on
different characters in dialogue rather than switching between shots. The close-ups give us a sense of intimacy
with the characters, whilst the wider shots reinforce the location – this also
puts emphasis on the poor conditions that these characters are living in. We also see some use of Dutch tilt, which
creates some tension as Marcus is running, and foreshadows Darren and the gang
attacking him.
The attack itself is quite visceral and Wazzi does not hold
back in showing the punches and the blood that is drawn from Marcus. This encounter felt very real in the way the
violence was portrayed, and this is something I feel I could draw from in the
attack scene I am planning for my film.
The sound design in Up on the Roof works very well to
provide the atmosphere to each scene.
The ambient background noises, like dogs barking and children playing
give us the feeling that we are in this environment with these characters and
allows us to empathise more with them as we are more aware of their
surroundings.
Overall, I feel that Up on the Roof does not really come
to a clear ending, which works in one sense in that the audience is left to choose
what they want to happen – we only see Marcus walking down the track. This could symbolise him regaining his
childhood through curiosity, where he previously would rather have just eaten
his food and got on with his day, yet this still seems a bit vague. Therefore, I feel I would want to draw my
film to a more conclusive end, rather than leaving it open, as I do not feel
there is much of a payoff in Up on the Roof.
Nevertheless, the use of mid shots and wide shots to establish setting,
class and character were certainly effective, which is something I want to
transfer to my film, as well as the fitting sound design to create the feeling
of social realism.

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